Explore Maps All Europe EUR MULTI11 PSP-AFRO. Explore Italia.cso. IGo8 R3 Navteq All EURope Maps 2012.Q1. Sony Go!Explore may turn the PSP into the ultimate personal navigation device. Sony launched this product in Japan, and is now going to pre.
The newest addition to the Go! Portfolio for PSP, Go!Explore, puts 3D city mapping in owners' hands by turning their handhelds into personal devices. It works just as with a regular GPS, which means that all you have to do is input your destination and leave the rest to your new GPS-enabled PSP. According to the official announcement, The Go!Explore setup consists of an attachable GPS receiver and a UMD disc of the user's chosen maps. Users will be able to find their position on a map at the touch of a button, and work out the direction they need to take. Go!Explore works both on foot and in the car. On foot, you'll be able to plot your way through cities in 3D.
This is possible thanks to the fully modelled city maps contained on the UMD discs, Go! Explore ships with.
Users simply load the UMD, select their destination, and watch as the city's landmarks and points of interest appear on-screen in 3D. Of course, downloading new maps and upgrades via PlayStation Network is also possible.
In the car, users benefit from different display modes for both day and night. Those looking forward to getting the software for car use are probably already thinking of the battery life. Explore should prove to be quite a battery drainer, but Car Adaptor and Car Mount accessories are on the way too - bundled together in one package, as the report informs. 'Go!Explore is a stunning addition to the Go! Range,' said Stephane Hareau, PSP Senior Brand Manager at Sony Computer Entertainment Europe. 'Who would have previously thought that PSP owners would be able to use PSP to navigate their way around an unfamiliar city?
It's an awesome product and another testament to the unrivalled potential of PSP.' Here's how you can purchase Go!Explore for PSP: - GPS receiver and UMD (including maps of the relevant country): RRP?119 - GPS receiver, UMD (including maps), Car Adaptor and Car Mount: RRP?149 - PSP, GPS receiver, UMD (including maps), Car Adaptor and Car Mount: RRP?299 These are the areas that are initially available for mapping: UK/Ireland, France, Germany / Austria / Switzerland Spain / Portugal, Italy, Nordic, Benelux. Go!Explore supports 11 unique audio languages on every geographic version: English, German, French, Dutch, Spanish, Portuguese, Italian, Danish, Swedish, Norwegian and Finnish.
Updates will be available from (the PC version for PSP). Go!Explore uses the technology of two other market leaders: TeleAtlas and NavNGo.
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>>Flemish technique using posterized 'maps' User Name Remember Me? Grisaille is a gray & white painting, or under painting used in the Flemish technique. I had used somewhat of a Flemish technique with my last portrait (“Kristen & her guy“).dead layer & a lot of glazes. It came out pretty goodnot great though.
And I had learned about using image software, both to posterize your reference photo and to convert it to grayscale. This “experiment” combines the Old World technique used in oil painting with the technology available through our computers. While comparing the different levels of color posterization in PaintShopPro, it occurred to me that to use a series of levels (to start applying the first layer going by a level 3 posterization, and then painting successive layers of glazeseach referring to a progressively higher level) MIGHT be an effective way of producing a very realistic portrait. I didn’t use every level between 3 and 15, some layers displayed such minor changes I skipped them. I am curious as to whether or not that made a difference. Colors used, from left to right: burnt sienna, cadmium yellow (light hue), yellow ochre, cadmium red (light hue), cadmium red (deep hue), burnt umber, raw umber, Hooker’s green, Payne’s gray, dioxazine purple, cobalt blue hue. For mixing I used zinc whitefor the dead layer & where I needed an opaque white, titanium white was used.
These colors weren’t always used out of the tube, I had to mix in almost every layer. This new layer of colors wasn’t laid down in the same orderbut you can see how each color affects the others. And the transparency is such that the writing is not at all diminished. The details of the dead layer should still be apparent through even the final layers of color.
In PaintShopPro, or other image manipulation program, turn your reference picture to grayscaleand print the size needed to fit your canvas. This grayscale print will be used to trace the image onto the support. I also hang this print next to my easel, where I can easily refer to it throughout the painting. I can keep track of my lights & darks, ensuring that I don’t lose them. I can also take measurements in the final layers, to make sure nothing has “shifted”.
This posterized grayscale is used as a “map” while painting the “dead layer”. Depending on the subject you may want to use a different posterization level. I found the lowest one that gave me a good balance between fine details and strong shadows & highlights. I printed this out as well, though not full-sized. Transfer by rubbing the back of the grayscale print with graphite & tracing onto the support (after background color has been applied & has dried).
Seal the lines of the graphite with paint (in this case cobalt blue) mixed with gloss medium. Also, referring to the posterized (in this case level 8) grayscale image.shade in where needed. With Payne’s gray and titanium white, I laid down the dead layer. I didn’t paint very heavily, but I did go back over and refine as soon as areas were dry enoughto prevent “digging a hole” in the paint. After letting the first layer dry, I go back and add more detail to the dead layer. Still just working with white and gray, and referring to the grayscale print, I get as much of the detail as I can. The very darkest and very lightest areas are paid special attention.
There is still blue showing through in some of the areas of shadow, this should work out fine for me. After blocking in the color for her dress, I start applying very thin glazes on her skin. In PaintShopPro, I took the color ref pic and posterized it.starting with Level 3. I did a succession of layers, each time using a higher level of posterization as my reference “map”.
The glazes were thin enough to allow the lower layers to be visible, transformed.but still visible. The first layers look a little creepy.
But they should define the warm & cool areas. At this point I haven’t done much to her eyes, just a bit of shadowing. Anatomie Duale Reihe Pdf Creator. The glazes I used were about equal amounts of paint and gloss mediuma little water added to keep it sufficiently wet. Every layer was applied thinlyno brushstrokes show.
I think even the first layer of color has influenced the last. After a few layers the skin is starting to show reflected colors from her dress. If I had changed the color of her dress, I would have had to change the color of these reflections.
Each layer brings a slightly smoother appearance to her skin. It wasn’t necessary to print out any of the posterized color reference photos, my easel is next to my computer.
I also start addressing her eyes, I zoom in closely with PSPand with a fine detail brush, I copy the little bits of color. The variation of colors in her brown eyes is amazing.brown eyes are not JUST brown.the whites of our eyes are not JUST white. I had noticed that some of the highlights had gone. The layers of colors had muted the lights and darksbut more so the highlights.
Again I pay close attention to the eye colors present when I zoom inthin glazes allow the previous color to show through just a bitbut it is altered. And the skin is looking even smoother. Except for her hair, she is very close to completeall that’s needed now are the finest details. Finally, I worked on smoothing out areas of color that were a little too defined. I also had to repeatedly touch up areas of highlight and shadow that kept getting “lost”.
And I worked on the small details likecrease undr the eyes, lashes, lower eyelids, and correcting any “mistakes”. Gesso needed to be applied over parts of her hairit just wasn’t right! Throughout these small details, I referred to the original photo. At this point its not quite done.but its close.